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On his last album, 2008's The Recession, Jeezy found a loose unifying concept that channeled all his strengths into something better, turning him into a voice for the anxiety about the then-nosediving markets. That lends him an urgency he must really have some shit to say if he's willing to scream over that insanity. Jeezy likes his tracks to be huge, oppressive things, their heavy gothic melodies only underscoring the titanic chaos of the drums. But he also has arguably the best ear for beats of any of his contemporaries, which turns his handicap into an asset more often than anyone could've imagined. Young Jeezy might have the most limited delivery of any A-list rapper, an aging-attack-dog wheeze that he uses to bulldoze through tracks, hardly ever varying cadence or intensity.
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